Piano · Jazz · Impressionism · Film Scoring
Looking, in every note, for a door to somewhere else.
The piano was my first language. Jazz taught me to listen, impressionist music to suggest, film scoring to tell a story. These are not separate styles: they are facets of the same pursuit — an art that refuses to settle for a single medium.
Trained at the Annecy Conservatory and then at the Haute École de Musique in Lausanne (Bachelor in Jazz, Master's in Pedagogy), I compose and improvise at the crossroads of jazz, impressionist music, and music written for the screen.
On stage as in the studio, I'm after the same thing: a moment where music stops being background sound and becomes a presence.
01 · Jazz
Jazz taught me to compose with the moment — to leave room for the unplanned. In a trio or a small group, improvisation becomes a silent conversation between musicians.
02 · Impressionist Music
Ravel and the impressionists showed me that a single harmonic colour can say more than a melody. A way of painting with sound, in touches, in shades, in silences.
03 · Film Scoring
Writing for the screen calls for a different kind of listening: the rhythm of a story, the silence before a gesture. A discipline I explore with the same curiosity as live performance.
04 · Total Art
Live painting, spoken words, light designed like a score: the stage becomes a place where several languages answer one another, for an experience that goes beyond a simple concert.
A few moments caught live, between concert halls and more intimate sessions.
